We’re back with Gerald Swick, who wants to take you on a trip through West Virginia history.

Who are you? Where are you? What kind of stuff do you write?

I’m the love child of Joseph Heller and Carol Burnett. No, wait—I’m a native of Clarksburg, West Virginia, now living in Nashville. I’m an incorrigible punster, a master of one-liners, and a serious researcher who was half of the research team that solved the 70-year mystery of why the eldest child of Abraham Lincoln was not buried with the rest of the family. Most of all, I’m a writer drawing inspiration and techniques from such disparate sources as academic journals, novels of all types, comic books, songwriting, screenwriting and poetry, and I’ve been fortunate enough to have had experienced, successful writers in most of those fields share their knowledge with me.

I fell in love with the printed word at a very early age when my mother and my older siblings would read to me, so I started teaching myself to identify words as they read when I was three or four years old. I don’t remember Dad reading to me, but there was an auctioneer named Paul Bastin who could always unload a box of books by saying, “Swick, you’ll bid a quarter, won’t you?” Dad would grin and nod, and we’d be bringing another box of books home. The writing grew out of all that, plus the stories of family history Mom and Dad told.

How did you get involved with research into Abraham Lincoln’s family?

Actually, my research has primarily been into Lincoln’s in-laws, the Todds. A friend and I were thinking of writing an article about why the position known as The Hornet’s Nest at the Battle of Shiloh collapsed suddenly after holding out for hours.

A different friend went with me to walk the ground at Shiloh National Battlefield Park. She happened to be reading a biography of Mary Lincoln and asked if I was aware Mary had a half-brother who was killed fighting for the Confederacy at Shiloh. I got to looking into that and realized the Todds weren’t a family, they were a soap opera, and I started researching them seriously. I’ve never written the book about them, but it is a project I want to finish. Finding the letter about why the Lincolns’ eldest son isn’t buried with the rest of the family was a coincidence of Todd research.

Tell us about your most recent book, story, or other project.

The first two books in my West Virginia Histories series were published by Grave Distractions Publications in late 2017. This series collects most of the 800-plus articles I wrote over 16 years that appeared as a weekly column of West Virginia history in the Clarksburg Exponent Telegram. The columns were very popular and received an Associated Press excellence in journalism award for Lifestyles writing. They were also a factor in the state Humanities Council awarding me a literary fellowship in nonfiction writing.

Over the years a number of readers recommended I put them into a book. When I finally sat down to do that I realized, with over 800 articles to draw from, I needed to do a series of books.

I spent part of 2016 and most of 2017 organizing the columns into themes such as West Virginia women, the Civil War, sports, ethnic history, politics, crime and so on, then divvying them up into eight books based on those themes. Each book in the series will contain 100 articles, including some never-before-published ones written specifically for this series.

Volume 1, Unique People, Unusual Events and the Occasional Ghost, is an introduction to and sampler of the series. Volume 2, Days of Slavery * Civil War and Aftermath * Statehood and Beyond provides readers with background on Western Virginia’s separation from Virginia, incidents of the Civil War within its borders, and the political struggle to be admitted to the Union as a state of its own. There’s also information on the state’s 50th and 100th anniversary celebrations.

Putting the former columns into book format allowed me to include addendums in cases where I found additional information after the columns were published, and this format also gave me a way to index names and places to help genealogists and other researchers find what they are looking for.

How many books will be in the West Virginia Histories series? Will you be adding new articles to it as you go along?

The publisher and I are planning for eight books, each covering multiple themes, but the series may expand if we feel a given book tries to cover too many themes. That doesn’t apply to Volume 1, of course, because it is an introduction to and sampler of the series, so it contains four or more samples from each of the themes.

I am researching and writing some new material for each theme, e.g., Social Change, Labor, Education, etc., so that each book will contain several never-before-published stories among its 100 articles.

How I originally came to write these columns?

I had been doing other freelance work for the Exponent Telegram and its weekly publications, the Marion Xtra and Taylor Xtra. I conceived the idea for the column and asked the managing editor if he would be interested in publishing it; his eyes lit up like a man who’d just drawn his fourth ace.

I knew people who are interested in history would read the columns, but I wanted to appeal to people who wouldn’t normally read history because they regard it as boring. I wanted to share with those readers how much fun history can be. I regard historical research as a never-ending Easter egg hunt; you never know what you’re going to find when you look behind the next bush. So I wrote in the storytelling style a fiction writer might use, while still sticking to the known facts, and I frequently incorporated editorializing, humor, puns and other wordplay, and occasionally a dose of snark.

For example, I wrote a column on West Virginia’s concerns over pollution throughout the 20th century. Not exactly the stuff for a ripping good yarn, so I enlivened it with comments like, “Mess with the fish, Bubba, and we send in the Marines,” after explaining that in 1913 the U.S. War Department had control over what was dumped in the Ohio River. Later in that same article I cited the 1970 “Kanawha Valley Air Pollution Study” and added parenthetically, “Soon to be a major motion picture starring George Clooney and Catherine Zeta Jones.”

In my research I primarily look for stories my readers likely wouldn’t know about, mostly drawn from old newspapers and supplemented by additional research to put the story in context: the feud between William Jennings Bryant and a WVU professor over evolution, for example, or the tornado that destroyed a church during Easter services in Wellsburg; the attempt Kanawha County’s Jews made to have the county chosen as the site of America’s first rabbinical college; the heroic tale of Jim Brown, a black man in Welch who risked his life trying to save two little white girls from an oncoming train, and the story of Minnie Martin, a young woman who saved a passenger train from derailing in Wetzel County. There’s the personal account of the infamous serial killer known as H.H. Holmes concerning what he claimed was his first murder, a man in Morgantown, and the story of a fraud ring comprised of Lincoln County housewives who scammed a soap company—and no, they didn’t get away clean.

The stories are drawn from all parts of the state and cover people and events from the 18th century through the 1960s, the decade in which West Virginia marked its statehood centennial.

In what genre do you primarily write? Why did you choose that one?

As noted, mostly I write nonfiction, history in particular. My first book was a coffee-table book, Historic Photos of West Virginia, from Turner Publishing in Nashville. I’d been one of Turner’s editors but had moved on to being web editor for the magazines of the Weider History Group when Turner called and asked me to author the West Virginia project. I’ve written for America’s Civil War, American History, Blue Ridge Country, Lincoln Lore, Wonderful West Virginia and other magazines, as well as the new West Virginia Encyclopedia published by the state Humanities Council in 2006and ABC-CLIO’s Encyclopedia of World War II: A Political, Social and Military History. With a life-long love of both history and writing, it’s not surprising this is how things turned out, even though I started out wanting to write fiction.

I have had some short fiction published in literary journals and a fantasy anthology. I worked in the game field for years and authored or co-authored short fiction for roleplaying games, like “A Day in the Life of Dennis-O-VCH” and “The New, Improved Fear and Ignorance” for the Paranoia game. If you go to my website, GeraldDSwick.com, you’ll see how checkered my writing past is. Presently, in addition to future volumes in the West Virginia Histories series, I am working on a novel of alternative history, but I generally don’t like to talk about works in progress. Somehow, talking about what I’m working on takes away some of the impetus to get it down on paper.

Do you have any training or background in historical research or are you self-taught? What made you dive in to that field in the first place?

Primarily self-taught. I’ve buried myself in researching the Todds at archives and libraries from South Carolina to San Francisco, and that experience taught me a very great deal about doing historical research. It also made me skeptical of anything I can’t effectively cross-reference. I’m amazed at how much has been written about the Todds in secondary sources that turns out to be untrue when compared to original source material and cross-referenced.

As for the origins of my interest in things past, it developed at the same time I was falling in love with the written word. My parents, who had me late enough in their lives that they almost named me R. U. Joking, often talked in the evenings about their childhoods and early lives, providing a window into a world that had already vanished. Also, growing up in the 1950s and ‘60s there were television programs, comic books, games, and movies about historical events. They weren’t necessarily accurate, but they made history fun and inspired me to read more of it. I have a T-shirt I was given that says, “History Buff. I’d find you more interesting if you were dead.”

I wanted to major in history, but a high school guidance counselor talked me out of it. Like one of my favorite nonfiction authors, John C. Waugh, my training is in journalism, not historical research. Both require fact-checking and multiple sources, but the nature of those sources usually aren’t the same. As things turned out, I’m a man with two mistresses: writing and historical research.

Tell us briefly about your writing process, from once you’ve got an idea down to having a finished product ready for publication.

Coming up with viable ideas is one of the most difficult things for me. My magazine and encyclopedia articles were assigned to me by editors. Even most of my published fiction came from assignments in which I was given a worldview to set a story in, but it was up to me to come up with a story and characters that fit within that worldview.

I mull over the assignment, think about the audience it is aimed at and what they might want to read, do preliminary research—even my fiction usually has historical elements to it—and then do some “clustering,” in which I write the basic premise in the center of a page, circle it, and then outside that circle I write any ideas that come to me, no matter how outrageous. A hit songwriter and music publisher, Ralph Murphy, once told me to never quit writing the cluster until I have over a dozen ideas jotted down, because the first ones will be obvious, but by the time I get to the thirteenth or fourteenth idea I’m probably breaking into fresh approaches.

As an example, the editor of America’s Civil War magazine asked me to write about the “First Land Battle of the Civil War” at Philippi. The question I faced was, “Okay, I can relate the events, but what does it all mean?” I concluded that the Confederacy’s epitaph was already written at Philippi: “Too few trying to defend too much with too little, against a people in whom the bonds of Union had become too strong to be severed.” Based on that conclusion, the article was published as “Omen at Philippi.” Anyone interested in reading it can find a link under Nonfiction on my website.

Who is the favorite character you’ve created? Why?

Elizabeth O’Cleary, a teenage Irish girl with Down Syndrome who develops a magical power when magic returns to modern Ireland. I created her for the story “Warriors of Destiny” in the Dragons Over England anthology. This was one of the situations in which I was given a worldview and a deadline, then left to my own devices. The stories in the anthology were based on the Torg roleplaying game from West End Games, in which Earth is invaded from several parallel dimensions simultaneously, each invader setting up a reality based on his or her own dimension. In the British Isles, it was a reality like that of traditional Northern European fantasy stories, while in France the Cyberpapacy had won the Great Schism of the Catholic Church and the Inquisition never ended. I envisioned an initial attempt by the Cyberpapacy to convert all those good Roman Catholics in Ireland to this new papacy. Elizabeth and her recently awakened new friend, a leprechaun named Letitia Blossomwalker, thwart the bad guys but at terrible cost.

The characters formed in my mind after I contracted to write a story for the anthology. I kept resisting the idea of Elizabeth having cognitive disability due to Down Syndrome, but she refused to be written any other way. I never said this in the story, but in my mind she was descended from the Tuatha De Danann, the legendary race with magical powers who some people have said came to Ireland from Atlantis. I imagined that when magic went away, their descendants still had the ability within them but no way to use it; in Elizabeth’s case, that produced the extra chromosome that resulted in Down Syndrome and a blockage in her mind that ultimately she breaks through.

Coming up with character names is another toughie for me. Ironically, shortly after I sent the “Warriors of Destiny” story off to West End, I visited the Presidio cemetery in San Francisco to pay my respects at the grave of a woman I was researching, the Great Western, Sarah Borginnis Bowman, a heroine of the Mexican-American war and later proprietor of some of the finest bordellos in the Southwest. As I was walking away from her grave I noticed a headstone a couple of graves away. The name on it was Elizabeth O’Cleary, the same as my fictional Irish girl, and a chill went up my spine. Odd coincidences like that seem to occur when I write fictional stories about Ireland.

What’s the weirdest subject you’ve had to research as a writer that you never would have otherwise?

Well, for “Warriors of Destiny” I had to research Irish history, folklore and fauna, plus the Great Schism of the Catholic Church and Belgian machine pistols. In nonfiction, I’d have to say the five articles I was asked to write about Romania in World War II and one about South Africa’s role in the conflict for ABC-CLIO’s WWII encyclopedia. I knew virtually nothing about either country, so I had to do some serious research and do it quickly, since I also had three other articles assigned for the same publication. A decade later I reused some of the information while writing “Romanian Nightmare at Stalingrad” for Armchair General magazine. That’s why I’m loathe to throw away old research materials.

What’s the one thing you’ve learned, the hard way, as a writer that you’d share to help others avoid?

Oh, man, that’s like asking what the most import lesson is that I’ve learned in life. I’m going to name two: First, rewriting doesn’t mean just tweaking; it may mean finding the kernel of the story that is worth keeping, discarding everything else and starting over. Second, despite all we are taught about finding our writer’s voice, staying true to our vision, etc., ultimately writing isn’t about the writer: it’s about the reader. In genre fiction that means staying true to the conventions of your genre, because readers expect them, but finding fresh ways to present those conventions. In nonfiction it means not cramming everything you’ve learned about a topic into a single article or book; that’s oh, so tempting, but data dumps stink as badly as garbage dumps.

If you won $1 million (tax free, to keep the numbers round and juicy), how would it change your writing life?

I wouldn’t have to work at anything else to meet bills. I could just research and write six to ten hours a day. So if any patrons of the arts out there are looking for someone to sponsor, you can contact me through my website!

What’s the last great book you read or new author you discovered?

I read Susan Orleans’s Rin Tin Tin The Life and the Legend in 2012, and I still find myself thinking about it occasionally. She did incredible research and a great job of telling a story both uplifting and tragic. More recently the Miss Peregrine’s Home for Peculiar Children series impressed me because the author created a compelling narrative inspired by old, strange photographs of children.

What do you think you’re next project will be?

Bringing out volume 3 in the West Virginia History series, which will be titled Crime, Politics, and Other Disasters. It will probably be released in late summer or early autumn 2018. And continuing to work on the alternate history novel.

Learn more about Gerald at his website, or check out excerpts from Volume 1 and Volume 2 of his West Virginia History series.