New Story: “OOPS Is Now In Effect”

As I mentioned a while back, the latest volume of The Henlo Press’ journal, Old Bones, is out and I’m happy to say that it’s received the coveted Kalindi kiss of approval.

I’m also happy to say that it’s got a new story of mine, “OOPS Is Now In Effect.” It’s got a kind of funny background.

Some years ago, before the COVID lockdown made telework a regular feature of life, our office was required to have a plan to continue operations in case of some kind of catastrophic event made it impossible to get to our office in the courthouse. Such a contingency is not just theoretical, unfortunately. As a result, we came up with a Continuing Office Operations Plan, which was referred to as the COOP.

This amused me. Not the concept itself, but that someone had come up with the acronym COOP. It made me think of chickens, not catastrophes. And it was so close to OOPS. I mean, just move a letter around and it’s right there, right? Throw in the inherent surreality of doing table top exercises where we pretend the courthouse was destroyed or something (as if we wouldn’t have more pressing concerns) and it just all struck me as a little silly.

So I wrote down “OOPS Is Now In Effect” and a general idea about some plan for a contingency that would be a lot worse than anything that might happen to my office. The idea hung around for a while until this past year, when I finally fleshed it out for the latest volume of Old Bones.

OOPS stands for “Ontological Operations Plan: Severe,” which is the kind of thing that might come in handy if you work in the Department of Metaphysical Insight within the Ministry of Transnational Affairs. Kevlin treated the massive OOPS manual the way most folks do various office manuals, with as little attention as possible.

Of course, shit goes down, and it’s down to Kevlin and an intern named Erin, who did the reading, to try and make it out alive. Here’s a taste:

It was mid-morning. Kevlin had just finished his coffee and was starting to think about lunch when the klaxon sounded.

An alarm had gone off on Kevlin’s very first day years ago, for the annual fire drill. That one had been a low but insistent hum he felt in his guts, less an urgent warning than a polite suggestion. After the fire drill was over someone told him that it led to less panic than the traditional blaring klaxons and flashing lights. Kevlin wasn’t so sure, if there was a real fire, he didn’t want to be a little bit panicked.

This one wasn’t a polite suggestion. It was loud and brassy, like a high school trumpeter was trying to show how loud he could play. The tones were long and even.

Blaaaaattttt. Blaaaaattttt. Blaaaaattttt.

Nonetheless, he remained calm, as this wasn’t the first time a klaxon like this had gone off. Typically it would go for a minute or two and then the soothing voice of the office AI would chime in and explain that the potential emergency had passed and there was no cause for concern. One time, of all things, there’d been a bomb scare, but it was resolved quickly and Kevlin hadn’t worried.

A minute passed, then two, with no letup in the noise.

Blaaaaattttt. Blaaaaattttt. Blaaaaattttt.

There was no reassurance from the AI. Kevlin’s palms started to sweat as his mouth went dry. He wished, not for the first time, that his office actually had a window in it. At least then he could break it and jump out. Sure, he was on the fourth floor, but it was better than just sitting here. He reached for his coffee mug, but it was empty. He stood up and was about to go get a drink and see what others were up to when the AI finally spoke up.

“Employees of the Ministry of Transrational Affairs,” it began in soothing, angelic tones. “There is no cause for alarm. The building has undergone an unexpected transdimensional shift which Advanced Studies is attempting to remedy. Until the matter is resolved, please implement Ontological Operations Plan: Severe. Thank you.”

“Ontological Operations Plan,” Kevlin said, terror rising in his throat. “That means OOPS.” He bolted through his office door and headed for the lobby. “Shit!”

Kevlin thought Metaphysical Oversight must have been designed by Deadalus, with a set of windowless offices in the middle of the floor, surrounding an open space that had been filled with cubicles. With walls high as a person, you couldn’t see in and it was easy to get lost in their labyrinthine environs. Out front was Donna’s post at reception, a small triangular room that opened into the building lobby. Kevlin had worked here long enough to know the way out without giving it much thought, which was good, since his brain was screaming in his head. His only thought was to get out of here now, regardless of the cost. The high walls of the cubicles made it impossible to see whether anyone else was still there. Surely they were in reception, funneling out the front doors and to the stairs.

Blaaaaattttt. Blaaaaattttt. Blaaaaattttt.

He turned the corner and came to a stop so fast he almost fell over his feet. There was no reception. Where the desk and the doors and the chairs for visitors were supposed to be, there was nothing except inky black void. It wasn’t like space. There weren’t any stars, nothing that in any way suggested the night sky. There was no Donna. Instead it was a complete absence of light, like the event horizon of a black hole.

Kevlin backpedaled so fast that he tripped and fell onto his ass, hard, cursing at the top of his lungs.

Behind him there was a voice. “Kevlin?”

He turned. Erin was peeking around the doorframe of an office, clearly on her hands and knees. She gestured frantically. “Get over here!”

For the rest of that story, and more great stories and such, get your copy of Old Bones Volume 3 here or here or here or follow them on Facebook to see if they’ll be at a book festival near you (they almost certainly will).

New Story! New Anthology!

You’ve heard me mention Cicada Books & Coffee in Huntington before. I’ve done a couple of events there and the owner is part of my writers’ group, so I was thrilled when she said they were going set up a small press and start doing anthologies. Brood XIV Books was born and, now, it’s published its first anthology!

It’s called Lesser Cryptids of Greater Appalachia and the idea is to tell some stories of local beasties beyond the big names like Mothman or the Flatwoods Monster.

It’s filled with cool stories – and one of mine! It’s called “A Pool of Tears” and it is about a little beast from the Western Pennsylvania woods called a squonk.

I first learned of him thanks to a Genesis song called “Squonk” that had this explanation in the liner notes:

The Squonk is of a very retiring disposition and due to its ugliness, weeps constantly. It is easy prey for hunters who simply follow a tear-stained trail. When cornered it will dissolve itself into tears. True or False?

I’d always wanted to write a story about the little guy and this was a great chance to do it. It’s a Ben Potter story and actually slots in after the next (as of yet unwritten) book in the series, at it involves a new character that will make her appearance in that book. I tried to take a different angle on beast encounters.

Grab Lesser Cryptids in ebook here (or here for Kindle folks) or print here – or, of course, head on down to Cicada and get a copy there!

New Short Story (from Me and Many Others)!

I’m happy to announce the release of Volume Two of Old Bones, the literary journal of Henlo Press.

Inside that cool cover you’ll find a bunch of stories (and other stuff) from writers from my neck of the woods – including me!

The story is called “Chord Change” and it’s based on an idea that’s been hanging around my brain for a while – what if someone’s solemn duty was to listen to the everlasting chord generated by the universe or the gods or whatever and the chord suddenly changed. The key to turning it into a story was to not make the listener the main character. Rather, it’s the guy she ropes into trying to help her talk back.

Here’s a snip:

Over the years, Kluvier had built up a repertoire of dozens of songs, from folk songs to cult hymns and chants. He would never be able to play with Andra’s finesse, but he had the ability to hear a song a few times, play it once, and then forever be able to retrieve it.

His first hour was always the same, a way to warm himself up and to gauge his audience. Some days the more modern, popular music was what people wanted. Other times the long, slow chords of cult hymns that had soaked into wider culture of the years provided the perfect background. Once that was out of the way, and Braax had his first break of the day, Kluvier would let his fingers wander, dipping in and out of known songs while taking tangents of variations on themes. During another break he heard a woman pass by whistling an odd-metered tune he’d never heard before. He worked on it, and several variations, for most of the next hour.

The predicted rain held off, which kept the traffic consistent. The coins dropping into the box were few and far between, but as the sun started fall behind the Great Library they at least started to clink against each other nicely when a new one was thrown in.

Kluvier let Braax off his turnwheel to attack a small bowl of water while he knelt and started counting the coin. He hoped to get everything counted and packed away before Valnu showed up to take his cut again. Kluvier was just about done when a human-shaped shadow fell across the box. Kluvier cursed under his breath, then a bag of coin thudded to the ground beside the box. He looked up.

“Is that enough?” It was Shyana. She was breathing hard and her robes, which had been so well put together yesterday, were dirty and mussed. There was a bruise starting to blossom under her left eye.

“What happened to you?” Kluvier grabbed the bag and stood.

“I did what I had to,” she said. “Is that enough?”

For more of that, as well lots of other great stuff, get your copy of Old Bones Volume Two here or here.

New Story, New Music – and Come See Me!

A couple pieces of “new” to let you know about.

New Story & New Event!

First, I’m very happy to have a story in the debut volume of Old Bones, the new annual literary journal of Henlo Press.

The story is called “To the Sound of Birds.” It’s about a guy setting up to sell used pulp paperbacks at a swap meet in a high school parking lot when he starts to hear odd noises from the mountain across the highway. Naturally he investigates and discovers something beyond his wildest imagination.

For what it’s worth the inspiration for the story was just that – the high school parking lot where my local SCCA chapter used to autocross was across the highway from a pretty sizeable mountain and, one day, I heard something weird from over there. Didn’t check it out, though, so I suppose we’ll have to let my imagination run wild, right?

You can get a physical copy of Old Bones by clicking here or a Kindle version here.

Or, if you want not just a physical copy but a signed copy, you can come see me! On February 25 I’ll be at Henlo’s first Writers’ Block event at the community center in Barboursville, WV. Things kick off at noon and readings by some of the authors start about 12:45 – maybe you’ll get a chance to hear a chapter from my forthcoming Moore Hollow sequel. It all leads up to the launch of 304 Monsters by Stephen Bias, which looks pretty cool if you’re into the weird West Virginia thing (and who isn’t?). I’ll also have all my other books there, too, if you need to stock up.

New Music!

It’s been a couple of years since I put any new music up, but I’m finally getting around to finishing some of the bits and pieces that have piled up since. The genesis of this one actually dates back to the year of the plague, but I didn’t start to really develop it until recently. It’s called “Chihuahua Junk Pixies.” I don’t remember specifically where the name came from, but I’m sure it had something to do with these two:

It’s bouncy and fun, at least in parts, and, if I may say so, kind of catchy. Enjoy!

“The Consequences of Sin” Is Here!

That post title sounded better before we were on the verge of Armageddon (again). But recall back in June I announced that I had a new short story that was going to appear in a forthcoming anthology. Well, it’s here.

The book is The Dancing Plague: A Collection of Utter Speculation, which you can get here (paperback) or here (Kindle eBook). My story is “The Consequences of Sin,” takes one of the traditional explanations for these kinds of phenomena (not really a spoiler – it’s demons) and twists it a bit, inspired by the Fritz Lang classic M. You can read more here about the background of the story (and other stuff) in this interview I did. The other authors did similar interviews, which you can find here.

Regular readers will know that lost of years I’ve done a story for Halloween here on the blog. Since this story is coming out in October and is sufficiently creepy (I hope), it will fill that role for this year. You can find links to all my Halloween stories here.

That’s it – let’s dance!

Happy Halloween! Have Some Free Stories!

For several of the past few years I’ve written some spooky short fiction for Halloween (originally at the urging of fellow West Virginia author Eric Douglas). I was planning to do the same this year, but preparing Widows of the Empire for release on November 10 has really kept me from getting it started. So, here in once place, are links to the stories I’ve written before. Grab a drink, turn off the lights and set a candle ablaze and (in the words of Count Floyd) prepare to have the pants scared right off of your legs . . . or wherever you wear them!

“Shift Change” (2020)

Last year, the year of the plague, was hard on everybody, demons included. Picture something like the opening of an episode of Hill Street Blues, but not quite, and you’ll have the right idea. Everybody’s got a job to do.

“The Invited Guest” (2017)

Devil summoning is a an old trope, but I thought I’d have some fun with it. This arose, if I’m remembering it right, from a factoid I learned about raising the devil by tossing a heel of bread over your shoulder into a fire. Probably won’t work (playing a tri-tone while you do won’t help). The title is a riff on a Marillion song, naturally.

“All the Wishes” (2016)

This is the second of two stories that Eric mandated be precisely 100 words long – not up to 100, exactly 100. It’s a fun, if frustrating, exercise. This story is about wishing well (or not).

“Quotas” (2015)

The first of the 100-word stories, it shares some thematic connection with “Shift Change.” Apparently I’m interested in how demons make a living.

Happy Halloween everybody!

Have some Rush in your plastic jack-o-lantern for the walk home.