I’ve never had so much to say about a book I decided not to finish.
I’d had 1632 on my “to read” list for quite a while. For one thing, it’s got a hell of a setup, an elevator pitch for the ages (more of that later). For another, the way author Eric Flint has let in other authors, and even fans, to help build and flesh out the world he created is a really interesting phenomenon. With that said, the book is clearly not for me, as I could only make it about a quarter of the way through before throwing in the towel.
As for that pitch – Begin with the fictional small town of Grantville, West Virginia, where a wedding reception is underway at the local high school. There is a literal blinding flash of light and, all of a sudden, the town – all the people in it, all its associated real estate and tech – is transported into rural Germany in the middle of the Thirty Years War. An explanation for this (alien art project gone awry!) is given in the prologue,* clearing that off the table. So what happens next?
There could be a struggle to survival and a town torn apart under the strain of such a weird event. Flint doesn’t go there, however. Instead, he focuses on how the Americans interact with their newfound neighbors. Some are hostile, of course – the Americans did land smack dab in the middle one of Europe’s bloodiest religious wars – but many are more than willing to join up with the Americans who are united in the idea to begin the American revolution just a little bit early.
I mention the unanimity because it highlights the biggest problem I had with 1632 – a lack of believable human tension. Put simply, the folks of Grantville, not to mention the folks who were just visiting for a wedding, adjust to their new reality way too easily. I can see not wanting to get bogged down in the nitty gritty of survival and Flint cleverly sidesteps this by allowing Grantville to have most of its modern technology remain workable.
That still leaves a lot of rich ground for drama with the relationships between the various characters, but there’s none of that in 1632. Since there’s very little stress about survival there’s really nothing to expose fissures that would already exist in such a community. I mean, in a rural West Virginia community right now there are people who would gladly persecute their neighbor for worshiping the same God in the wrong way so it’s unbelievable that none of the residents of Grantville succumb to the sectarian madness in which they’re dropped. In Grantville there are no old grudges, no low-level feuds that explode in a new context. People just get along too well. I know it’s a little stilly to complain about realism in a story based on time travel, but the lack of strife in this community just passes my flying snowman point.
The oddly low stakes were confirmed for me in a scene where the town gathers together in the high school to sort of take stock and elect leadership (without any serious challenge, naturally). One of the science folks (a teacher at the high school, IIRC) makes the obvious, but still devastating, point that they’re probably never going home. To this announcement there is pretty much no reaction. Nobody weeps. Nobody storms out, unable to face the truth. Even the few characters who we know came to Grantville from out of town to the wedding don’t seem bothered. This was, like the death of a semi-major character in Saturn Run, a scene that made me wonder why I should care about any of this. Ultimately, I decided that I didn’t.
In an afterward, Flint explains that he was sick of fiction, particularly of the speculative sort, that was negative and focused on the worst of humanity. He wanted to write a positive portrayal of common folk who, if mentioned at all in such stories, tend to get cast as ignorant hicks. I appreciate where he’s coming from and, as a native West Virginian, appreciate the fact that his characters don’t fall into traditional stereotypes about the state (except that lots of them are coal miners). But all that’s still possible while providing some tension and strife amongst the people. Flint swung too far the other way, making his Americans too good, noble, and respectable.
Not every story works for every reader. Flipping through the Goodreads comments on 1632 I see a lot of people who love the book (and its sequels) for the precisely reasons Flint set forth in the afterward. Good for them. But I also see a good number of people who feel about like I do. Such is life; such is art.
* Regardless of my other thoughts on the book, this is a brilliant gambit. Get it out of the way early and make it clear that’s not what the story is really about. It also makes me want to dive into just what genre this is – sci-fi because aliens or fantasy because, well, there’s no real science involved? Just one more thing to think about.