Inspiration Strikes at Odd Times

So, you know how I’ve released two volumes of the Unari Empire Trilogy, right? That would be Gods of the Empire and Widows of the Empire.

What about the final volume, you might ask, Heroes of the Empire? Any update on it? Yes, friends, and it’s good news!

But first, some context.

Although Widows just came out last fall, I’ve been working on Heroes since about a year before that. It was my NaNoWriMo project in 2020, so I started writing it in November of that year. I “won” that year, but the book was nowhere near finished, so I kept working on it into the new year. By June of 2021, according to a timestamp on the Word file, I had something saved as “First Draft.” Except it really wasn’t.

What had happened is that I got about 80% through the draft and my creativity came to a complete halt. I didn’t have a good idea of how to bring things in for a landing, so rather than try to push through the end, I took a different approach.

In my day job, sometimes I take pieces of legal writing from others in my office and synthesize them into a single brief. It’s safe to say that each of the attorneys in my office has a different voice and just cutting and pasting won’t work to produce a clear, readable final product. So I have lots of experience rewriting the words of others to produce a smoother end product.

When I wrote Moore Hollow and The Water Road I did the same thing – I took my first draft of each book and rewrote them completely, filling in any shallow bits and using the quicker pace to connect up things better. It worked well, but I hadn’t felt a need to write that way for the other books that followed.

Until Heroes. Since I was stuck I decided to pull a Bruford and go back to the beginning again and rewrite the first draft. According to yWriter I started that process last April and everything went swimmingly for a while, until things bogged down again. In particular, when I got to that ending, I just completely lost momentum. It wasn’t that I didn’t know where the story was going to end up, I just didn’t quite know how it was going to happen.

Last week I was bogged down (again) in what I thought was the next-to-last chapter. It shifts POVs a lot as the climax happens and that made it hard to write, anyway. Otherwise, I was just kind of drifting.

Then I got up to take a piss one night.

I was up in the middle of the night to go to the bathroom, my mind barely functioning, when it hit me. This was out of the blue inspiration of the kind I don’t generally have. The solution was simple – a short time skip to move straight to the consequences of what we’re seeing, rather than the details of the incident itself. I was so stoked I couldn’t really get back to sleep (which made work the next day quite a drag).

This is a long way of saying, this past weekend, I finally put the final words of the first draft of Heroes of the Empire into yWriter! It’s finished! Well, I mean, it tells a complete story. Now comes the fun part, the several rounds of edits, but at least I can see the end of the process at this point.

Thus, coming late this year or (more likely) early next, the final, gripping part of the Unari Empire story, Heroes of the Empire.

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Widows of the Empire: A Second Excerpt

One more week until Widows of the Empire comes out! Here’s a second excerpt, in which Belwyn, stuck in exile in Annanais, finally receives a particularly stubborn caller.

That the Temple of Rend meant something to Belwyn didn’t mean she had an idea of what this particular acolyte wanted with her. She’d made the gesture to rebuild the temple in Cye after the explosion that led her to Cotber and started her examination of Port Ambs. Hagan had made all the arrangements and Belwyn hadn’t given it much thought. It had been a spur-of-the-moment thing, a decision made in the wake of sorrow washing over her for people who had lost a place where they could worship. Just because she didn’t need such a space didn’t mean she couldn’t appreciate the loss.

She wracked her brain, trying to remember if the temple had reached out to her. Maybe they had contact with Hagan, but she couldn’t conjure any memory of meeting with them. She hadn’t expected to, but why not? It would have been impolite not to acknowledge their benefactor. What if they didn’t know? Belwyn couldn’t remember telling Hagan to make the donation anonymously, but she might have. If that was the case, how would any acolyte know about her role?

She was sitting in the courtyard, after lunch, when Neven approached.

“It’s time, Lady,” Neven said, gesturing toward the formal receiving room.

Belwyn followed, pushing down a lump in her throat. A guard, one of Brixton’s men, opened the door for them. Neven waved Belwyn through, then followed behind her.

There were three people waiting for them in the room. Two were Brixton’s guards, who were making a display of their rifles, holding them in their hands, ready for action. They looked menacing, not the generally easygoing men who rarely did anything with their guns but sling them over their shoulders. In between them stood a man in a long, grey robe, complete with a hood that partially hid his face. Belwyn could see just a scrap of a beard poking out from underneath. He was hunched and looked frail, particularly between the two guards.

“Is this necessary?” she asked Neven, while gesturing toward the guards. “This is a man of the gods, after all. Can we not treat him with some dignity?”

Neven gave a signal and the two guards shouldered their rifles and left the room. “It was merely a precaution, Lady.”

After the guards left, Belwyn gestured for the man to sit on one of the stuffed chairs by the window, which he did slowly, shuffling with short steps. Belwyn sat down across from him while Neven took up her place a few feet away. Either she, or one of her underlings, had to be close enough during meetings to make sure no one told Belwyn something inappropriate.

“Lady Belwyn,” the acolyte said with a slight bow, his voice rough and low.

“You have me at a disadvantage, sir, since I do not know your name,” she said.

“You may call me Gendil, Lady, if it pleases.”

She smiled. “I once had a horse named Gendil. I was very fond of him.”

“A favorable coincidence, Lady.”

The was an uncomfortable silence. “What is it I can do for you, Gendil? I understand you come from the Temple of Rend in Cye. Is that right?”

“That is why I am here, Lady,” he said, “but I am not from the temple in Cye.” He paused, glancing over at Neven.

Belwyn followed his gaze, sensing an opportunity. “Is there a problem with Neven?”

“I’ve spoken with her many times,” Gendil said, “but what I have to say is only for your ears, Lady.”

Belwyn turned to Neven. “I think you can see that there is no risk or danger here, Neven. Can you leave us alone for five minutes?”

“You know I can’t, Lady,” Neven said.

“Your people have made exceptions before,” Belwyn said. It wasn’t strictly true. She’d managed to get her handlers out of the room for moments here and there, but never this blatantly. She hoped the thought would throw Neven off her guard just enough.

“Not with my permission,” she said.

Belwyn shrugged. “Regardless, nothing untoward has come of it. You can keep Britxon’s men on the other side of the door, for all I care, but surely five minutes to indulge this gentleman isn’t too much to ask.”

Gendil shifted in his seat toward Neven, like the effort of doing so was almost too much for him to bear. “Madam, if I may. What I wish to discuss with Lady Belwyn is of a sacred nature. The rules of my order emphasize confidentiality in personal interactions. I understand if you must be present, but do know that it will be an imposition upon my faith.”

Belwyn looked at Neven with pleading eyes. Gendil’s evocation of religious dogma made her skin crawl, but the idea that he wanted to talk to her alone was intriguing. Not to mention, the sooner Neven left the room, the sooner she could be done with this. After all, the man had appeared for two weeks straight and was unlikely to take “no” for an answer. “Five minutes?”

Neven looked like she was going to fire off a cable to Chakat about this, to try and get out of this assignment. But Belwyn had seen that look before, a look of resignation. “Very well. I wouldn’t want to interfere with a religious exercise. I’ll be back in three minutes.”

Belwyn waited for the door to be securely shut behind Neven before saying, “Thank you for coming to see me, Gendil, but I have to warn you, I’ve never had much use for the gods.”

Gendil straightened and pulled back the hood of his robe. “How could I ever forget that, Lady.”

It took her a moment, but once she studied the eyes, she knew. Belwyn put her hands over her mouth to contain the scream of excitement that welled inside her. She took a deep breath, then whispered, “Hagan!”

He nodded. “Yes, Lady.”

Widows of the Empire
Out November 10
Preorder now for Kindle or other eBook formats

Widows of the Empire: The Southern Islands

As we continue hurtling toward release day for Widows of the Empire, I wanted to return to the issue of geography that we touched on a couple of weeks ago. In that post I talked about the geography of the Unari Empire itself, but this time I want to journey a little further afield.

Gods of the Empire all took place on the single, large continent that dominates much of Oiwa’s northern hemisphere. Aside from that one, across which the Empire sprawls, there are two other smaller continents to the west, sort of Australia sized. The nations there have formed the Western Alliance in the years since the Port Ambs bombing and Chakat’s becoming Emperor, as a way to check his global reach.

The southern hemisphere of Oiwa is an entirely different kettle of fish, as it’s composed entirely of islands. A couple of them are largish, but nothing so grand as to earn the label “continent.” As a result, the Southern Islands (as they’re generally referred to when lumped together) are wildly diverse and independent, without any of the kind of trans-national alliances you find up north. That’s allowed Chakat to roll in with ships and Imperial Marines and cause more than a little havoc in these islands without any real consequences.

Like Ruttara Key, not much more than a speck on the map in the far southern part of the hemisphere. Sure, it would be a perfect place for some of the Port Ambs plotters to hide out, but it was also home to hundreds of ordinary people just trying to live their lives. They saw their fishing boats sunk, their villages burned, and people indiscriminately shot for doing nothing at all. At one point no one on Oiwa had heard of the place. Not so any more.

The closest you get to an alliance to rival the Western Alliances is the Relevan League, based around the city of Releva. A commercial and shipping up in the northeastern part of the islands, it’s kind of the jumping off point for travelers from the north. It’s as large as Cye, but spread up and down the coastline instead of packed into a grid of urban streets and with clear skies, given the lack of industries. Of course, everything smells of fish which, as one observer notes, is “overwhelming.”

The Southern Islands are also full of small islands, not much more than rocks jutting out of the water, that hold unknown treasures, such as ancient lost cities. Or places like the Grim Islands, so named because there’s nary any vegetation or life on them, but they do provide a good hiding place for pirates and other rabble rousers.

Given that there are thousands of islands in the south, it’s not possible to chart all of them. That’s created a fertile territory for explorers, seeking to make their name and their fortune. One of the most famous is Stanley Glass, who has won renown for several discoveries in the Southern Islands. His finds are so spectacular that they let most people overlook the horrible toll his expeditions typically take on his crew. Long-term employment isn’t in the cards when you sail with Glass – so why is Aton so willing to sign on?

Widows of the Empire
Out November 10
Wherever fine ebooks are sold

Widows of the Empire: Excerpt

Continuing on with some posts about the upcoming Widows of the Empire, here’s an excerpt from the book in which Aton goes to meet a persistent potential new client and gets quite the shock:

Aton realized that he never really liked The Ferry. It was conveniently located in Cye, a good place to get business or meet someone, but it wasn’t the kind of place he liked to hang out. Aside from slamming down a drink after a job was over, he rarely came here just for the sake of it. Now, finally, he knew why.

The place was crowded. Not because there were so many people here, but because of how the room was laid out. The long, curving bar was enormous. Tables in the middle of the room were arranged haphazardly. In addition, the bare wood interior amplified every voice in the place. Even though there were only a handful of people here, the din was distracting. He was amazed he was ever able to conduct business here. He maneuvered the obstacle course of tables and chairs to make it to his old spot in the back corner.

While he didn’t miss The Ferry, Aton could admit to himself that he missed being downtown. The new house was lovely and bucolic, but it was also quiet and isolated. He’d grown up in Cye and was used to the noise, the crowds, and the occasional stench. It’s why he’d toyed with the idea of finding a small office somewhere nearby in case he needed to handle anything that came up in the city. Truth was, however, the only business he would do was with Laffargue, and that happened at the Voisine. An empty office was an expense that didn’t make any sense.

He had arrived half an hour early, supposing that Vesper wouldn’t show until their arranged meeting time. Whatever his talents, Vesper didn’t strike Aton as one who thought of worst-case scenarios and alternatives. Like a dog with a bone, he was relentless and driven, but not particularly creative. Being early allowed Aton to control the terrain, like a general pushing his troops to secure high ground before a battle. Maybe he was overthinking it, but better to be over prepared.

He passed the time scanning the crowd. It was like any skill, one he had to practice for it to be sharp when it was needed. There was part of him that wanted to find Okun there, although he had no idea what he’d say to him. He was here for work, after all, and maybe Okun would be, too. There would be no reason for them to just have a drink together. The issue never came up, as the big, bald man never made an appearance.

Aton was just about to start clock watching when he saw Vesper slip in the front door. He looked around a few times, less like he was trying to find Aton than like he was getting the lay of the land. After a moment he held the door open and a person walked in the door. Shorter than Vesper, shorter even that Aton, the individual was wearing a deep blue floor-length cloak with the hood drawn up around the face. Aton thought it was a tad dramatic, but everyone had their quirks.

Vesper led his client through the room, slamming his leg into a chair about halfway through.

Aton suppressed a laugh.

He reached Aton’s table and tipped his cap. “Mr. Askins, glad to see you here.”

“I made a deal, didn’t I?” Aton said. He waved at Vesper to stand aside. “So who is this mystery client?”The figure behind Vesper stepped forward and lowered the hood of the cloak.

“Oh, shit,” Aton said, deflating. “Ethyna.”

Widows of the Empire
Out November 10
Wherever fine ebooks are sold

Widows of the Empire: The Unaru & the Knuria

In the run-up to the release of Widows of the Empire, I wanted to highlight a few things about the world of the Unari Trilogy (for more background on the trilogy, the setting, and the characters, see this post I did before Gods of the Empire came out). Today, we look at the two largest and most important parts of the Unari Empire – the Unaru itself and the Knuria.

Being an empire, of course, the Unari Empire is composed of several disparate regions, all brought under Imperial rule. That said, there are two main ones that occupy a lot of the history of the Empire and the books in the trilogy.

The Unaru is, essentially, the original Unari Kingdom, composed of the areas around the Imperial capital of Cye. If we’re going to analogize to the Roman Empire, then Cye is Rome and the Unaru is the Italian peninsula. It’s made up of a fairly homogenous people in terms of culture and ethnicity with historical ties to the area and to the rulers who have sat in Cye for centuries.

The Knuria, by contrast, is a vast expanse of rolling farmland and rugged hills, without any real coherent cultural identity. Conquered during the expansion of the Empire, it has had second-class status ever since. If you remember when our heroes (well, some of them) wound up near a mined out bosonimum pit in Gods of the Empire, with its crumbling mining town nearby, you can get a sense of what I mean. Likewise, if you detect a bit of West Virginia in the Knuria you’re not wrong. It’s a breadbasket and extractive resource region of the Empire. Going back to the Roman Empire comparison, the Knuria is like the other parts of Europe that the Romans eventually conquered – culturally and ethnically diverse, brought to heel by force.

An aside here to say that, when I was conjuring up the Unari Empire, I was less inspired by Rome than I was by the Soviet Union. In a way, the Unaru is like Russia proper, the Knuria like the other Soviet republics – part of the USSR, but arguably separate states – and then there are other states that are within the sphere of influence. For the Empire that includes the states north of the Knuria, where some of our heroes found themselves in the second part of Gods of the Empire.

The Unaru and the Knuria are separated by two major mountain ranges. The smaller of the two, the Rampart Mountains, is north of Cye and forms the northern border of the Unaru (along with the related Rampart River). The much larger of the two, the Granite Curtain, is a huge range that runs most of the rest of the border between the Unaru and the Knuria. They’re basically impassable, a favorite hangout for outcasts and, once upon a time, gods.

Given all that, people from the Unaru look down on those from the Knuria a bit. It’s less an active discrimination than a deep-seated belief that the Knurians are just a little less developed, less civilized. It’s the urban/rural divide writ large, as there’s no place in the Knuria that can come close to Cye.

We see that a little bit with the contrast between Aton and Belwyn, our two main characters. Aton is a Cye native, an Unaru, who really hasn’t travelled outside the city (and the surrounding area) before his current work hunting down ancient artifacts of the gods. He’s “worldly” in the sense that he grew up in a large, bustling city. Belwyn, on the other hand, is Knurian, having grown up in the small lakeside town where, at the start of Widows of the Empire, she is imprisoned. That said, they both start their stories as a little bit sheltered to the realities of the wider world. They both get an education during Widows of the Empire in a way that, I hope, broadens and deepens the world they’re moving around in.

The bottom line is that the Unaru needs the Knuria and the Knuria needs the Unaru. They may not quite realize it yet.

Widows of the Empire

Out November 10

Wherever fine ebooks are sold

September Siesta

Not really, but I am going to be taking a break from the blog for this month. I’ve got some traveling to do, a couple of big work things, and the next draft of the final book of the Unari Empire Trilogy that all need attention this month.

When regular programming resumes in October it’ll be focused primarily on Widows of the Empire as we move closer to the November 10 release date. What do you want to know about the new book before it’s released? Let me know!

Widows of the Empire – Coming November 10!

So remember when I said I hoped to see the end of a particular tunnel by the time July rolled around?

Well, guess what?

Widows of the Empire, book two of my Unari Empire Trilogy is finished and I’m shooting to release it on my birthday, November 10! Of this year!

Okay, so not quite finished, but the main text is done. Needs formatting and a couple of final flourishes, but, barring tragedy, you’ll be able to reach more of Aton and Belwyn’s adventures as the Unari Empire begins to come apart this fall.

Gone Editin’

 Since it’s now summer and time for a break anyway, I’m going to step away from the blog this month to concentrate on getting Widows of the Empire in nearly-final form. Got beta-reader feeback to work through so hopefully, come July, I’ll be able to see the end of this particular tunnel. Also there’s, like, a shit ton of soccer coming this month, including the start of the delayed Euros and the conclusion of the CONCACAF Nations League. So, you know, I have obligations.

Until then, these two will be keeping an eye on the shop.

Don’t take advantage, ‘kay?

A Little Proof of Concept

It seems like such a long time ago – but only December 2019 – that I announced a National Novel Writing Month “win” with Widows of the Empire, the second book in the Unari Empire Trilogy. Under normal circumstances, that might have meant the book would have been finished and released in 2020.

Yet, if anything, 2020 could hardly be described as “normal.”

For whatever, be it pandemic fatigue/ennui or just the fact that this book has been kind of a bear, the progress on Widows has been slower than I’d hoped. Still, it’s with beta readers and I’m ready to do a final edit when I hear back from them. Until then, I wanted to provide a little proof that this book is a real thing, not just residing in my noggin.

Some people create covers, or have the commissioned, before they even start writing a book. I don’t know how they pulled that off. I suppose it’s easy enough to change things if you have the talent to do your own covers (I really do not), but I can’t imagine at least having a first draft complete and knowing how everything winds up before getting to work on a cover.

So, while Widows of the Empire is not yet in its final final form, I can at least go ahead and share this with you:

Given the title, it’s no surprise to find Lady Belwyn on the cover of this one (Aton, the finder of lost things and other main character for the trilogy, is on the first one).

As usual, this is the work of the fine folks at Deranged Doctor Designs. Coming soon to a shelf near you!