This is it – my new book, Widows of the Empire, book two of the Unari Empire trilogy is out now!
As we continue hurtling toward release day for Widows of the Empire, I wanted to return to the issue of geography that we touched on a couple of weeks ago. In that post I talked about the geography of the Unari Empire itself, but this time I want to journey a little further afield.
Gods of the Empire all took place on the single, large continent that dominates much of Oiwa’s northern hemisphere. Aside from that one, across which the Empire sprawls, there are two other smaller continents to the west, sort of Australia sized. The nations there have formed the Western Alliance in the years since the Port Ambs bombing and Chakat’s becoming Emperor, as a way to check his global reach.
The southern hemisphere of Oiwa is an entirely different kettle of fish, as it’s composed entirely of islands. A couple of them are largish, but nothing so grand as to earn the label “continent.” As a result, the Southern Islands (as they’re generally referred to when lumped together) are wildly diverse and independent, without any of the kind of trans-national alliances you find up north. That’s allowed Chakat to roll in with ships and Imperial Marines and cause more than a little havoc in these islands without any real consequences.
Like Ruttara Key, not much more than a speck on the map in the far southern part of the hemisphere. Sure, it would be a perfect place for some of the Port Ambs plotters to hide out, but it was also home to hundreds of ordinary people just trying to live their lives. They saw their fishing boats sunk, their villages burned, and people indiscriminately shot for doing nothing at all. At one point no one on Oiwa had heard of the place. Not so any more.
The closest you get to an alliance to rival the Western Alliances is the Relevan League, based around the city of Releva. A commercial and shipping up in the northeastern part of the islands, it’s kind of the jumping off point for travelers from the north. It’s as large as Cye, but spread up and down the coastline instead of packed into a grid of urban streets and with clear skies, given the lack of industries. Of course, everything smells of fish which, as one observer notes, is “overwhelming.”
The Southern Islands are also full of small islands, not much more than rocks jutting out of the water, that hold unknown treasures, such as ancient lost cities. Or places like the Grim Islands, so named because there’s nary any vegetation or life on them, but they do provide a good hiding place for pirates and other rabble rousers.
Given that there are thousands of islands in the south, it’s not possible to chart all of them. That’s created a fertile territory for explorers, seeking to make their name and their fortune. One of the most famous is Stanley Glass, who has won renown for several discoveries in the Southern Islands. His finds are so spectacular that they let most people overlook the horrible toll his expeditions typically take on his crew. Long-term employment isn’t in the cards when you sail with Glass – so why is Aton so willing to sign on?
Widows of the Empire
Out November 10
Wherever fine ebooks are sold
In the run-up to the release of Widows of the Empire, I wanted to highlight a few things about the world of the Unari Trilogy (for more background on the trilogy, the setting, and the characters, see this post I did before Gods of the Empire came out). Today, we look at the two largest and most important parts of the Unari Empire – the Unaru itself and the Knuria.
Being an empire, of course, the Unari Empire is composed of several disparate regions, all brought under Imperial rule. That said, there are two main ones that occupy a lot of the history of the Empire and the books in the trilogy.
The Unaru is, essentially, the original Unari Kingdom, composed of the areas around the Imperial capital of Cye. If we’re going to analogize to the Roman Empire, then Cye is Rome and the Unaru is the Italian peninsula. It’s made up of a fairly homogenous people in terms of culture and ethnicity with historical ties to the area and to the rulers who have sat in Cye for centuries.
The Knuria, by contrast, is a vast expanse of rolling farmland and rugged hills, without any real coherent cultural identity. Conquered during the expansion of the Empire, it has had second-class status ever since. If you remember when our heroes (well, some of them) wound up near a mined out bosonimum pit in Gods of the Empire, with its crumbling mining town nearby, you can get a sense of what I mean. Likewise, if you detect a bit of West Virginia in the Knuria you’re not wrong. It’s a breadbasket and extractive resource region of the Empire. Going back to the Roman Empire comparison, the Knuria is like the other parts of Europe that the Romans eventually conquered – culturally and ethnically diverse, brought to heel by force.
An aside here to say that, when I was conjuring up the Unari Empire, I was less inspired by Rome than I was by the Soviet Union. In a way, the Unaru is like Russia proper, the Knuria like the other Soviet republics – part of the USSR, but arguably separate states – and then there are other states that are within the sphere of influence. For the Empire that includes the states north of the Knuria, where some of our heroes found themselves in the second part of Gods of the Empire.
The Unaru and the Knuria are separated by two major mountain ranges. The smaller of the two, the Rampart Mountains, is north of Cye and forms the northern border of the Unaru (along with the related Rampart River). The much larger of the two, the Granite Curtain, is a huge range that runs most of the rest of the border between the Unaru and the Knuria. They’re basically impassable, a favorite hangout for outcasts and, once upon a time, gods.
Given all that, people from the Unaru look down on those from the Knuria a bit. It’s less an active discrimination than a deep-seated belief that the Knurians are just a little less developed, less civilized. It’s the urban/rural divide writ large, as there’s no place in the Knuria that can come close to Cye.
We see that a little bit with the contrast between Aton and Belwyn, our two main characters. Aton is a Cye native, an Unaru, who really hasn’t travelled outside the city (and the surrounding area) before his current work hunting down ancient artifacts of the gods. He’s “worldly” in the sense that he grew up in a large, bustling city. Belwyn, on the other hand, is Knurian, having grown up in the small lakeside town where, at the start of Widows of the Empire, she is imprisoned. That said, they both start their stories as a little bit sheltered to the realities of the wider world. They both get an education during Widows of the Empire in a way that, I hope, broadens and deepens the world they’re moving around in.
The bottom line is that the Unaru needs the Knuria and the Knuria needs the Unaru. They may not quite realize it yet.
Widows of the Empire
Out November 10
Wherever fine ebooks are sold
Not really, but I am going to be taking a break from the blog for this month. I’ve got some traveling to do, a couple of big work things, and the next draft of the final book of the Unari Empire Trilogy that all need attention this month.
When regular programming resumes in October it’ll be focused primarily on Widows of the Empire as we move closer to the November 10 release date. What do you want to know about the new book before it’s released? Let me know!
So remember when I said I hoped to see the end of a particular tunnel by the time July rolled around?
Well, guess what?
Widows of the Empire, book two of my Unari Empire Trilogy is finished and I’m shooting to release it on my birthday, November 10! Of this year!
Okay, so not quite finished, but the main text is done. Needs formatting and a couple of final flourishes, but, barring tragedy, you’ll be able to reach more of Aton and Belwyn’s adventures as the Unari Empire begins to come apart this fall.
Since it’s now summer and time for a break anyway, I’m going to step away from the blog this month to concentrate on getting Widows of the Empire in nearly-final form. Got beta-reader feeback to work through so hopefully, come July, I’ll be able to see the end of this particular tunnel. Also there’s, like, a shit ton of soccer coming this month, including the start of the delayed Euros and the conclusion of the CONCACAF Nations League. So, you know, I have obligations.
Until then, these two will be keeping an eye on the shop.
Don’t take advantage, ‘kay?
It seems like such a long time ago – but only December 2019 – that I announced a National Novel Writing Month “win” with Widows of the Empire, the second book in the Unari Empire Trilogy. Under normal circumstances, that might have meant the book would have been finished and released in 2020.
Yet, if anything, 2020 could hardly be described as “normal.”
For whatever, be it pandemic fatigue/ennui or just the fact that this book has been kind of a bear, the progress on Widows has been slower than I’d hoped. Still, it’s with beta readers and I’m ready to do a final edit when I hear back from them. Until then, I wanted to provide a little proof that this book is a real thing, not just residing in my noggin.
Some people create covers, or have the commissioned, before they even start writing a book. I don’t know how they pulled that off. I suppose it’s easy enough to change things if you have the talent to do your own covers (I really do not), but I can’t imagine at least having a first draft complete and knowing how everything winds up before getting to work on a cover.
So, while Widows of the Empire is not yet in its final final form, I can at least go ahead and share this with you:
Given the title, it’s no surprise to find Lady Belwyn on the cover of this one (Aton, the finder of lost things and other main character for the trilogy, is on the first one).
As usual, this is the work of the fine folks at Deranged Doctor Designs. Coming soon to a shelf near you!
Hey, gang. Guess what time of year it is?
I mean, yeah, there’s an election that’s probably not going to be over with for a while, but beyond that, it’s November which means . . .
That’s when folks, including yours truly, take the month of November to focus on writing the first draft of a novel – well, at least 50,000 words of it. I’ve done this several times and it’s a great way to jump start a new project. So, this year, I’m going to be writing the third book in the Unari Empire trilogy, Heroes of the Empire (yes, yes, I know, Widows of the Empire isn’t out yet – it’s with beta readers, so it is coming), thus bringing the whole thing to a thrilling (?) conclusion.
Which means – it’s blog silence for me for the rest of the month (at the least). Stay safe and I’ll see you on the other side.
Hi, folks! Did you miss me?
As promised, my hiatus was pleasantly productive. I finished up the third draft of Widows of the Empire while I was away. I’m just about to dive into draft four, which will be the final one before it goes off to beta readers and an editor. What that means for you, dear reader, is that I should be able to get Widows out into the world sometime in early 2021!
I’ve already got another great cover from Deranged Doctor Design. Here’s a taste:
More to come, maybe before the year is out!